Analytic, Descriptive, and Prescriptive Components of Evolving Jazz: A New Model Based on the Works of Brad Mehldau Mark Edward Baynes An exegesis submitted in partial fulfilment of the requirements for the degree of.

Print and download My Favorite Things [How to play like Brad Mehldau Lesson, Part 1] sheet Instrumental Solo, and Piano/Chords in E Minor (transposable). Print and download My Favorite Things [How to play like Brad Mehldau Lesson, Part 3] sheet music by David Instrumental Solo, and Piano/Chords in E Minor. My Favourite Things (Brad Mehldau) Buy and download the sheet music.

Ultimately I think of myself as an improvising jazz musician at the end of the day, and one of my talents I transrciption is assimilating all of that written stuff and making it part of what I do. I had the idea of maybe presenting it in a scrolling format, as something that musicians, amateur or professional, might find interesting.

How do select what pop favorige to cover? Mehldau is a dazzling and brilliant player who maintains one of the finest trios in all of jazz.

My Favourite Things (Brad Mehldau) Jazz transcription

Tell us about the concept behind the music scroll? Each solo record has been kind of a turning point for me — an end of one thing, and a beginning of something else. Throughout your career you have put your own spin on pop songs written trqnscription artists such as Elliott Smith, The Beatles, Nick Drake, Radiohead, James Taylor and many others. I have interviewed Brad many times over the years but this is the first time we focus exclusively on his approach to his solo work.

This is the first scrolling score he made of my music, and since then, he has made one for the scores of two more recent efforts of mine: The challenge and the thrill are one and the same — there is no net; there is absolute freedom.

My Favourite Things (Brad Mehldau)

Can you describe how you negotiate between the two styles in your playing? But there are also great things that have come out of the newer technology, and there was this opportunity to see and hear my music in a different way. For instance, if I play something that goes much longer than I originally intended, I will skip something else. That can be exciting and rewarding. I have several ideas ghings I go out on the stage, and I usually stick to around half of them.

Brad Mehldau – The Art of Solo Piano

Jazz Online put a little jazz in your life. Live In Marciac is the beginning of a freer approach, I would say, and maybe more ease and fluidity in a musical texture with several simultaneous voices.

Virtuosic pianist Brad Melhdau first made his mark in the jazz world in with his debut recording Introducing Brad Mehldau and then in the classical arena in with his release Love Sublime with vocalist Renee Fleming. But what he is able to say musically as a soloist within the context of each song combined with his improvisations is simply masterful. I listen menldau it for pleasure and enjoyment, and then a lot of it filters out transcriptuon my playing.

The core of your playing successfully balances jazz and classical influences.

His blend of jazz and classical styles, the American Songbook, unique covers of pop tunes and originals all seamlessly blend into a fulfilling and varied musical experience. The challenge there though is to make something with integrity — something that has a story to tell. Live in Marciac is your third solo transcriptkon.

It is the most related to where I am now as a solo player. But I was going out for an encore and thought of it at the last moment, and it turned out to be for me anyways, one of the more compelling performances in the set — it had that story to it; it just kind of unfolded.

I draw on a lot of classical music, pop and rock music, music from Brazil, and other stuff.

Tell us how it compares to your two previous solo recordings, Elegiac Cycle and Live in Tokyoboth personally and musically. Philippe Andre is the musician who made this transcription, and it was really fun to view that. We are one ole ola mp3 song download.

His breathtaking command of his instrument is undeniable.